Our lunchtime audience will experience the blues and jazz tones of Barber’s early years, the peace of his Nocturne for John Field, and the pathos, power and pace of his great Sonata (written for Vladimir Horowitz), about which fellow composer Francis Poulenc wrote: “It pleases me without reserve. It is a remarkable work from both the musical and instrumental point of view. In turn tragical, joyous and songful, it ends up with a fantastically difficult to play fugue. Bursting with energy, this finale knocks you out in five minutes or less.” |